



JJ Sansaverino
"Sunshine After Midnight"
www.jjsans.com
Accolade
Highlights
JJ is a current client
Brian Bloom, Audiophile Audition
3-1/2 Stars
Think Karl Denson or Norman Brown with a bit more funk. My co-worker said the
first track would be a perfect track at the end of a Will Smith moviean
observation that is not far off the mark as it does have a soundtrack flavor
to it. A lot of the guitar work seems to be inspired by greats like Wes Montgomery
and George Benson. The second track sounds a lot like Breezin.
It even has some scratching like a Soul Live record. From a sampling of only
the first few songs the listener will realize that there is a nice variety of
tracks. Track four and 10 are a little reggae,
six is Latin influenced, and seven is a harder funk/soul-like track ala Santana.
Guitar and other acoustic sounds are very good while the electronic sounds have
a slightly processed quality. None of the music is harsh or in your faceits
mellow and smooth and worth more than a casual listen. If this disc doesnt
get a lot of airplay on the lite/smooth jazz stations Id be surprised.
Check it out!
Denis Poole, Smoothjazztherapy
From the first track of the CD, Sunshine, a tight piece of laid
back, melodic yet funky smooth jazz where less is always more, that mission
is clearly accomplished. In fact Sunshine After Midnight is something
of a triumph for JJ who, together with Alex Valenti, writes and produces all
twelve tracks. The experience JJ has gained
through performing with some of the worlds top reggae acts is put to good use
on Victory Of Righteousness. It starts out with a solid beat that
suggests Stand Up For Your Rights and then weaves in melodic guitar
that has a kind of Jamaica meets Southern California thing going on. Also in
the reggae groove is Rejuvenation. Here the beat underpins cool
piano from Earl Appleton with the whole held together by JJs skilful playing.
Sansaverino also shows he can turn it down
with tracks like the mellow yet bluesy My Lover and the Latin spiced
Mother. Fallen Heroes is another gentle track but one
that develops a haunting lilt along the way while On The Avenue
is another laid back and funky number with outstanding production, a killer
bass line throughout and handsome sax from Ze Luis Oliveria. The
production of Sansaverino and Valenti continuously dares to be different and
the way they use turntable effects courtesy of DJ Charm puts both Just
About Everybody and Swing Easy among the highlights of the
entire collection. The first of these starts out rock solid urban before a fulsome
brass section carries it along and blends with the guitar of JJ who, much in
the style of Jeff Golub, allows himself to rock within the constraints of the
tight up temp beat. The latter is a striding little tune with stellar brass
again to the fore. Its a foot tapper of the highest order. With
Sunshine After Midnight JJ Sansaverino is serving up a heady and
atmospheric mix of soulful smooth jazz that is as good as anything I have heard
all year.
Michael James, Smooth Jazz and
More
3 Stars out of 4
J.J.s guitar playing style will remind
you of Lee Ritenour. His selection of tracks is smooth, easy and mellow, all
original compositions. The highlight is the track "Sunshine"
as I enjoyed the mix of vocals and his great guitar playing. He's a future star
in the world of smooth jazz music.
Nicholas Sheffo, Fulvue Drive-in
We always are wondering where all the talented musicians are.
We know many of them are backing name acts and J.J. Sansaverino is on that list.
He co-wrote every track here, which shows his natural grasp of guitar. There
is
nothing phony or forced about this album,
which is a plus.
Karl Stober, Jazzreview
Accompanied by a cast of very exclusive and talented sounds
Mr. Sansaverino has presented one of the finer works I have been
subjected to in 2005. Upbeat and hot in feel, daring and adventurous
in style, Sunshine After Midnight will exceed most knowledgeable
jazz fans expectations.
Sansaverino has recently
released his first CD entitled Sunshine After
Midnight for the ALZEJO Music Label. When speaking of this debut effort,
the best way to describe what JJ has done is to say job well done.
Sunshine After Midnight is a CD
worth looking for and by any measure of
talent, it is a multi-faceted sound energy ray of excitement. For the most part,
JJs first ever solo effort can best be described as a platform that features
a
multitude of guitar influences. Included in this most unusual CD experience
are
R&B, jazz, reggae, rock and fusion styles of music. Strategically speaking,
JJ
has placed the subtleties of urban rhythms along side horn perfect melodies
that have been fused with a variety of flavors that includes the street dynamics
of New York and the Latin-tinged metrics of Brazil. For additional spice, Sansaverino
propels the CD forward with an infectious array of grooving rhythms, as heard
on
the track entitled Just About Everybody. With a push from the intuitive
creative spirit
that comes from within, JJ has taken his guitar posture to a level that is fresh
and uniquely
qualified to be different. He has done so without the usual clichés of
smooth jazz commercialism.
That fact in itself makes Sunshine After Midnight well worth a listen and speaks
to JJs thought-provoking approach.
In retrospect, when listening
to JJ Sansaverinos debut release, I could not help but
be touched by his approach. He has taken the qualitative aspects of fusion,
coupled
with the nuances of the Caribbean experience and stirred in a variety of musical
style
to push the envelope of jazz to another level of creativity. Although this release
allows
JJ to let his hair down as a leader and to flex his muscle as a jazz artist,
I do believe
there is a high degree of creativity yet to be seen from this highly eclectic
guitarist.
Adam Greenberg, All Music Guide
3 Stars
"The debut album from JJ Sansaverino, among other things, the lead guitarist
for Maxi Priest for the last few years. There's some nice production value
here, with Alex Valenti and Zé Luis Oliveira taking the helm to switch
off and on
from a New York sound to partially Brazilian inspired with notable highlights
including "Fuego" and "Victory of Righteousness. Sansaverino
is a worthwhile
guitar player."
Geannine Reid, Ejazznews.com
His sideman approach paid off for him in spades, giving Sansaverino
the experience and knowledge to come out as a solid force for his
debut release. Sansaverino exhibits groove, style and appeal with
his fresh approach to R&B infused jazz. Sunshine after Midnight,
not only highlights Sansaverino as a composer, but his soaring chops
and intelligent lines as a guitarist.
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